A Muslim punk house in Buffalo, New York, inhabited by burqa-wearing riot girls, mohawked Sufis, straightedge Sunnis, Shi'a skinheads, Indonesian skaters, Sudanese rude boys, gay Muslims, drunk Muslims, and feminists. Their living room hosts parties and prayers, with a hole smashed in the wall to indicate the direction of Mecca. Their life together mixes sex, dope, and religion in roughly equal amounts, expressed in devotion to an Islamo-punk subculture, 'taqwacore,' named for taqwa, an Arabic term for consciousness of the divine.Originally self-published on photocopiers and spiralbound by hand, 'The Taqwacores' has now come to be read as a manifesto for Muslim punk rockers and a ''Catcher in the Rye' for young Muslims.' There are three different cover colors; red, white, and blue.
style='the United States, France, and the Netherlands-are reacting in different ways. hijab and burqa lie at the intersection of the political and legal spheres. Consequently, the political and legal spheres have each attempted to enforce differing versions of the concepts of equality and neutrality. A cross-cultural and cross-national survey of judicial decisions and legislative action in these countries demonstrates how each is balancing individual rights and communal bonds, and adhering to or retreating from previously accepted human rights norms for women and religious practices.
Exploring the relationship between religion and the state Focusing on the intersection of religion, law, and politics incontemporary liberal democracies, Blackford considers the conceptof the secular state, revising and updating enlightenment views forthe present day. Freedom of Religion and the Secular State offers acomprehensive analysis, with a global focus, of the subject ofreligious freedom from a legal as well as historical andphilosophical viewpoint. It makes an original contribution tocurrent debates about freedom of religion, and addresses a wholerange of hot-button issues that involve the relationship betweenreligion and the state, including the teaching of evolution inschools, what to do about the burqa, and so on.
Erscheinungsdatum: 06.02.2020, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: It's Not About the Burqa, Titelzusatz: Muslim Women on Faith, Feminism, Sexuality and Race, Autor: Khan, Mariam, Verlag: Pan Macmillan, Imprint: Picador, Sprache: Englisch, Schlagworte: Englische Bücher // Politik // u. Sozialwissenschaft // Frau // Gesellschaft // Recht // Islam // Weltreligionen // Diskriminierung // Feminismus // Frauenbewegung // Bezug zum Islam und islamischen Gruppen // Literarische Essays // Soziale Gruppen: religiöse Gemeinschaften // Islam: Leben und Praxis // Soziologie // Anthologien // nicht Lyrik // Soziale Diskriminierung und Gleichbehandlung, Rubrik: Soziologie, Seiten: 241, Herkunft: GROSSBRITANNIEN (GB), Empfohlenes Alter: ab 18 Jahre, Gewicht: 185 gr, Verkäufer: averdo
Burq Off! is an autobiographical coming-of-age story about a British Pakistani girl trying to find herself in a world of conflicting norms. Nadia was raised as a cultural yo-yo, bouncing between the expectations of her conservative Muslim family and her saucy British school friends. Love, lies, a burqa, and a bikini. Nadia has no idea who she is, but she'll try anything to find out. Purchase the audiobook, and hear Nadia perform her 21 different characters. Nadia's very own father reads stage directions. At the end you'll discover a special Q & A between Nadia and her father in which they discuss, life, love, and his opinions about this very personal show. www.nadiapmanzoor.com 1. Language: English. Narrator: Parvez Manzoor, Nadia Manzoor. Audio sample: http://samples.audible.de/bk/acx0/076191/bk_acx0_076191_sample.mp3. Digital audiobook in aax.
Five years ago, Lieutenant Marsha Gagliano disappeared when her helicopter crashed in Afghanistan. Her wife held out hope for her return, but with no word from the army after all that time, she begins to realize she may have to move on without her.At the embassy in Kabul, a burqa-clad woman arrives at the gate with two young children in tow. The black-haired, brown-eyed woman looks like an Afghan native, but her American accent belies this. She identifies herself as Lieutenant Marsha Gagliano, all the while keeping a close eye out behind her as though at any moment, someone might jump out and snatch her back.Questions arise regarding her disappearance and reappearance and the army is suspicious. The children are obviously hers. Has she consorted with the enemy? How will her wife react to these children? Will she be able to accept children she had no part in conceiving?What is this woman hiding beneath her chador? What secrets lie behind her veil of silence? 1. Language: English. Narrator: Lois Ridge. Audio sample: http://samples.audible.de/bk/acx0/215802/bk_acx0_215802_sample.mp3. Digital audiobook in aax.
France has experienced considerable upheaval in recent years. The Eurozone crisis, a new socialist president, rioting by an alienated underclass, a ban on the burqa (full veil) in public places, and an attempt to democratize the elite system of education all point to significant changes in French society. At the same time leading French companies are major investors in European energy resources, services, and luxury products, and between three and four hundred thousand French people live in Britain, making London, as former President Sarkozy stated, France's fifth- or sixth-largest city. The implications of these changes have not yet fully permeated French society, but they reveal a slow process of adaptation to new realities.Meanwhile, in international affairs, France makes a major and distinctive contribution and carefully guards its interests and prestige. The rivalry between Paris and the provinces continues the traditional split between North and South. France as a whole maintains its stately pace as a centre of culture, civilization, and, of course, the good life, which is one of the reasons it remains, with 75 million visitors a year, the most visited country in the world.This new, updated edition of Culture Smart! France looks at the attitudes and values of the French today. It explains how French life and business work and shows you how to fit in as a foreigner. There is practical advice on how to avoid the pitfalls and do things the French way. It takes you through history, festivals, and traditions, the French at home, on the road, in the restaurant, and at work. Above all, it shows you how the French communicate, and how best to get along with this sometimes frustrating yet charming and brilliant people.
Chett and Harry are two recently unemployed construction workers on their way to a weekend of beer, Southern Comfort, and frog gigging at their musty-rusted 1970s RV, parked at their favorite hunting camp, when they stumble on Bob, the mysterious, busty, burqa-clad, non-English speaking beauty just standing in the middle of nowhere on the side of dusty Nine Mile Cutoff in rural Bovina, Mississippi. Then all hell breaks loose. Their favorite pond is missing. They're being chased by truck driving zombies, dirty cops, UFOs and other ne'er-do-wells. Someone stole Chett's jacked up Scottsdale four-by-four. Zombies are traipsing around their trailer, and crazy Uncle Crank is trying to feed them zombie chicken for dinner. Aided by a classic computer nerd, a crazy man wielding a frying pan, and a space babe who gets nekkid any time someone turns out the lights, follow Chett and Harry as they battle their way across the rural countryside and ultimately save the world.Why is their pond missing, and why did the Dodge of Death spring from the muddy crater left in its center? Who is Bob and why is she so good with shotguns? Why are they being chased by two really skinny, pale, bald, goatee-clad wierdos? What is the dirty county sheriff hiding? And will Chett and Harry ever make it out alive? 1. Language: English. Narrator: John Allen. Audio sample: http://samples.audible.de/bk/aswp/000008/bk_aswp_000008_sample.mp3. Digital audiobook in aax.
Flan Parker has always had an inquisitive mind, searching for what's hidden below the surface and behind the door. Her curious nature and enthusiastic probing have translated into a thriving resale business in the university housing complex where she lives with her husband and two young children. Flan's venture helps pay the bills while her husband works on his dissertation, work that lately seems to involve more loafing on the sofa watching soap operas than reading or writing. The secret of her enterprising success: unique and everyday treasures bought from the auctions of forgotten and abandoned storage units. When Flan secures the winning bid on a box filled only with an address and a note bearing the word 'yes,&#8221; she sets out to discover the source of this mysterious message and its meaning. Armed with a well-worn copy of Walt Whitman's Leaves of Grass that she turns to for guidance and solace, Flan becomes determined to find the 'yes&#8221; in her own life. This search inward only strengthens her desire to unearth the hidden stories of those around her-in particular, her burqa-clad Afghan neighbor. Flan's interest in this intriguing and secretive woman, however, comes at a formidable price for Flan and her family. Set during the year following the September 11 attacks, Self Storage explores the raw insecurities of a changed society. With lush writing, great humor, and a genuine heart, Gayle Brandeis takes a peek into the souls of a woman and a community-and reveals that it is not our differences that drive us apart but our willful concealment of the qualities that connect us.
Une base américaine de la province de Kandahar en Afghanistan. Au loin, on distingue la silhouette d'une femme enveloppée dans sa burqa. Elle est descendue de la montagne en fauteuil roulant, puisque ses jambes ont été arrachées. Elle vient réclamer le corps de son frère, un chef tribal pachtoun abattu lors d'une offensive lancée contre les Américains. L'état-major reste méfiant : s'agit-il d'une soeur endeuillée, d'une kamikaze, d'une envoyée des talibans, d'un terroriste travesti en femme ou d'une tentative de diversion? Sans jamais prendre parti, l'auteur donne la parole aux différents protagonistes - la jeune femme, l'interprète, le médecin, et plusieurs officiers ou soldats. Il nous permet ainsi de faire l'expérience d'un conflit cruel et absurde, en en révélant toute la complexité. Chaque personnage, quel que soit son camp, est non seulement doté d'une voix, mais également d'un visage, d'une personnalité qui lui est propre. Une Antigone à Kandahar revisite certains grands thèmes de la tragédie grecque tout en s'interrogeant sur les dommages collatéraux de la guerre, l'idéalisme, les valeurs occidentales. Magnifique et magistral.
Jeremy Underwood is a long-suffering subeditor on The Daily Beast, Britain's mightiest tabloid. Returning from holiday, he notices two burqa-clad figures lurking outside the paper's Kensington offices. Two male terrorism suspects have escaped from a mosque disguised as women; recently suspicion and fear have made everyone alert. Jeremy's casual observation sets off a chain of events that spins out of control, as the great Beast feels that it is the next target of terrorism. Alexander Starritt's darkly funny novel is a vivid anatomy of that most uncontrollable of large creatures, the British tabloid newspaper. The ferocious professionalism and manic rivalries of a newsroom have rarely been so well described. And at the heart of the newsroom is the brooding, dictatorial figure of its editor, Charles Brython, the booming voice of Middle England. His world is under threat, and he will do whatever it takes to defend it. This is a story in which comedy teeters on the edge of horror.
The modern notion of tolerance--the welcoming of diversity as a force for the common good--emerged in the Enlightenment in the wake of centuries of religious wars. First elaborated by philosophers such as John Locke and Voltaire, religious tolerance gradually gained ground in Europe and North America. But with the resurgence of fanaticism and terrorism, religious tolerance is increasingly being challenged by frightened publics. In this book, Denis Lacorne traces the emergence of the modern notion of religious tolerance in order to rethink how we should respond to its contemporary tensions. In a wide-ranging argument that spans the Ottoman Empire, the Venetian republic, and recent controversies such as France's burqa ban and the white-supremacist rally in Charlottesville, The Limits of Tolerance probes crucial questions: Should we impose limits on freedom of expression in the name of human dignity or decency? Should we accept religious symbols in the public square? Can we tolerate the intolerant? While acknowledging that tolerance can never be entirely without limits, Lacorne defends the Enlightenment concept against recent attempts to circumscribe it, arguing that without it a pluralistic society cannot survive. Awarded the Prix Montyon by the Académie Française, The Limits of Tolerance is a powerful reflection on twenty-first-century democracy's most fundamental challenges.